I AM THE WAY INTO THE CITY OF WOE

Details

Instructors: Ben Pease

Schedule:
Wednesdays from October 15- November 19, 6-8:30pm ET

$225.00

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I AM THE WAY INTO THE CITY OF WOE

Reading Dante's Inferno

Therefore, for your own good, I think it well

you follow me and I will be your guide

            and lead you forth through an eternal place.

            There you shall see the ancient spirits tried

in endless pain, and hear their lamentation

            as each bemoans the second death of souls.

                      —Dante, Inferno, Canto 1, Lines 105-110, trans. John Ciardi

The Divine Comedy expresses everything in the way of emotion, between depravity’s despair and the beatific vision, that man is capable of experiencing. It is therefore a constant reminder to the poet, of the obligation to explore, to find words for the inarticulate, to capture those feelings which people can hardly even feel, because they have no words for them….”

                                                                        —T. S. Eliot, “A Talk on Dante”

Join us on a journey through hell. Continuing RSH’s series of classes focused on discussing epic poetry, we finally delve into the opening of Dante’s timeless masterpiece, Inferno. A selection of secondary sources will help further our understanding of how the poem intertwines the political, religious, historical, and mythopoetic in order to arrive at a grand vision of humanity. Each week, students will also have the opportunity to select their favorite passages and lead a discussion on it! These classes are known for lively discussion in which everyone is involved, and we work together to build a deeper appreciation of the work in question.

Secondary Sources to be read and discussed during class:

Carter, Barbara Barclay. “Dante’s Political Ideas.” In The Review of Politics, 1943.

Cogan, Marc. “Delight, Punishment, and the Justice of God in the Divina Commedia.” In Dante Studies, with the Annual Report of the Dante Society, 1993.

Eliot, T.S. “A Talk on Dante.” In The Kenyon Review, 1952.

Freccero, John. “Dante’s Ulysses: From Epic to Novel.” In Dante: the poetics of conversion, 1986.

“How to Read Dante;” “Translator’s Note” and “Introduction.” In the Berkley edition of The Divine Comedy, translated by John Ciardi.

Marenbon, John. “Virtuous Pagans, Hopeless Desire and Unjust Justice.” In Vertical Readings in Dante’s Comedy, 2015.

Ben Pease

Ben Pease began laying out books in 2009 when he put together an issue for the writing workshop he taught at Common Ground’s (now Breaking Ground) Prince George, an early 20th-century hotel converted to affordable housing for low-income and formerly homeless adults. He soon after began designing covers and interiors for Monk Books, doing both for a reprint of Bernadette Mayer’s The Formal Field of Kissing. When Monk began publishing full-length collections, Pease continued to layout the books, forging a close relationship with the authors to ensure that their original vision was represented in the printed matter. Pease is currently the book designer for factory hollow pressSistrum Books, and the Ruth Stone House.

About Virtual Classes

Virtual classes are usually based on video conferencing. At the moment we use Zoom. Instructors may utilize email as well as the specific ‘class page’ to share materials.

Class pages are accessible to students through their account page.  CLICK HERE to visit your account.

Each class is different, and Ruth Stone House allows a wide degree of freedom to instructors as to how they run their classes. If you miss a class or have technical problems you can request a video link to the class you missed. 

Technical requirements:

In order to attend a Zoom based class, make sure you meet these technical requirements: Click here

We also require that you have access to email service to use Ruth Stone House Classroom.

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Financial Aid

FInancial aid is applied for on a class by class basis. Not all classes offer financial aid. There is a limited amount of funding available, and aid is awarded in the order received.

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I AM THE WAY INTO THE CITY OF WOE

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